{"id":2283,"date":"2025-04-01T11:02:10","date_gmt":"2025-04-01T14:02:10","guid":{"rendered":"https:\/\/www.fafich.ufmg.br\/publicidadeepropaganda\/?page_id=2283"},"modified":"2025-04-23T11:45:42","modified_gmt":"2025-04-23T14:45:42","slug":"2024-2","status":"publish","type":"page","link":"https:\/\/www.fafich.ufmg.br\/publicidadeepropaganda\/2024-2\/","title":{"rendered":"2024\/2"},"content":{"rendered":"\n<p><a style=\"color: #000000;\" href=\"https:\/\/drive.google.com\/file\/d\/144ostFWCQzsq8bvZKQQvkcQZ1W7KvwWe\/view?usp=drive_link\"><strong><span style=\"color: #3366ff;\"><span data-sheets-root=\"1\">GATOS EM QUADROS: Produzindo narrativas afetivas entre gatos e tutores atrav\u00e9s do formato de fanzines<\/span><\/span><\/strong><\/a><\/p>\n<ul>\n<li>Estudantes: <span data-sheets-root=\"1\">Clarice Chaves Sodr\u00e9<\/span><br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Lara Cordeiro de Barros<\/li>\n<li><span style=\"font-size: inherit;\">Palavras-chave: Narrativas afetivas; fanzines; comunica\u00e7\u00e3o visual<\/span><\/li>\n<li>Orienta\u00e7\u00e3o: Joana Ziller de Ara\u00fajo Josephson<\/li>\n<li>Coorienta\u00e7\u00e3o: Letticia Gabriella Carvalho de Oliveira<\/li>\n<li>Data da banca: 15\/01\/2025<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/drive.google.com\/file\/d\/1g1mctIG3T5bPEgNwUZDRF-RIxkxWLNVN\/view?usp=drive_link\"><strong><span style=\"color: #3366ff;\"><span data-sheets-root=\"1\">&#8220;At least I&#8217;m loved&#8221; Como a constru\u00e7\u00e3o da personagem Cassie, de Euphoria, dialoga com opress\u00f5es de g\u00eanero e representa\u00e7\u00e3o de estere\u00f3tipos femininos?<\/span><\/span><\/strong><\/a><\/p>\n<ul>\n<li>Estudante: <span data-sheets-root=\"1\">Nath\u00e1lia Correia Gon\u00e7alves<\/span><\/li>\n<li>Orienta\u00e7\u00e3o: Ana Carolina Soares Costa Vimieiro<\/li>\n<li>Coorienta\u00e7\u00e3o: Fernanda Mudesto Passos<\/li>\n<li>Data da banca: 21\/01\/2025<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/drive.google.com\/file\/d\/1VidFlVDyG6EP7S-4n9iOKeLMtWIW04RN\/view?usp=drive_link\"><strong><span style=\"color: #3366ff;\">\u201cRevista Mordidas\u201d &#8211; peda\u00e7os da cena drag de Belo Horizonte<\/span><\/strong><\/a><\/span><\/p>\n<ul>\n<li>Estudantes: Anna Ribeiro Vilela Santeiro<br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Felipe Pellucci de Figueiredo Drumond<br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Juan Pablo de Oliveira Santos<br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Wallace Faria Pacheco Junior<span data-sheets-root=\"1\">Andreia Aparecida Ferreira<\/span><\/li>\n<li><span style=\"font-size: inherit;\">Palavras-chave: Palavras-chave: Arte drag, Belo Horizonte, Cultura LGBTQIAPN+, Drag Queen, Revista<br \/>digital<\/span><\/li>\n<li>Orienta\u00e7\u00e3o: Juarez Guimar\u00e3es Dias<\/li>\n<li>Data da banca: 23\/01\/2025<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/drive.google.com\/file\/d\/1vGYEgicyk4sMBWhYnBwtOaetYrPDImWI\/view?usp=drive_link\"><strong><span style=\"color: #3366ff;\"><span data-sheets-root=\"1\">MULHERES NEGRAS NO TRAP BRASILEIRO: AN\u00c1LISE DAS LETRAS DE AJULIACOSTA, DUQUESA E MC LUANNA PELAS PERSPECTIVAS DO FEMINISMO NEGRO E DA INTERSECCIONALIDADE<\/span><\/span><\/strong><\/a><\/p>\n<ul>\n<li>Estudante: <span data-sheets-root=\"1\">Lu\u00edsa L\u00e9lis Marques Salgado<\/span><\/li>\n<li><span style=\"font-size: inherit;\">Palavras-chave: mulheres, negras, trap, revolu\u00e7\u00e3o, lugar de fala, interseccionalidade, roleta interseccional,\u00a0 Ajuliacosta, Duquesa e MC Luanna, empoderamento.<\/span><\/li>\n<li>Orienta\u00e7\u00e3o: Regiane Lucas de Oliveira Garc\u00eaz<\/li>\n<li>Coorienta\u00e7\u00e3o: P\u00e2mela Guimar\u00e3es da Silva<\/li>\n<li>Data da banca: 23\/01\/2025<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/drive.google.com\/file\/d\/1zkcDYWGmJ0Ztv76Z-OVO4E3ToJ3Ku9Jc\/view?usp=drive_link\"><strong><span style=\"color: #3366ff;\">Semi\u00f3tica dos grandes: Uma An\u00e1lise comparativa da Arte Urbana no Buritis e no Aglomerado da Serra, em Belo Horizonte<\/span><\/strong><\/a><\/span><\/p>\n<ul>\n<li>Estudantes: <span data-sheets-root=\"1\">Micael de Sousa Silva<\/span><br \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <span data-sheets-root=\"1\">Yasmim Alvarenga Carvalho<\/span><\/li>\n<li>Orienta\u00e7\u00e3o: Ana Karina de Carvalho Oliveira<\/li>\n<li>Data da banca: 23\/01\/2025<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/drive.google.com\/file\/d\/1qHLhDgA2YLwn0vqlToUEgxayhadbRrk6\/view?usp=drive_link\"><strong><span style=\"color: #3366ff;\"><span data-sheets-root=\"1\">Engajamento de Reels no Instagram: estrat\u00e9gias de infoentretenimento pelo perfil Livrestrada<\/span><\/span><\/strong><\/a><\/p>\n<ul>\n<li>Estudante: <span data-sheets-root=\"1\">Ant\u00f4nio Pires Rossin Streahl<\/span><\/li>\n<li><span style=\"font-size: inherit;\">Palavras-chave: Engajamento, Instagram, Infoentretenimento, Livrestrada, Reels.<\/span><\/li>\n<li>Orienta\u00e7\u00e3o: Geane Carvalho Alzamora<\/li>\n<li>Coorienta\u00e7\u00e3o: Tiago Barcelos Pereira Salgado<\/li>\n<li>Data da banca: 24\/01\/2025<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/drive.google.com\/file\/d\/1xe3VzQ2fumy47KvQUwGwr0kUxnvZe2BD\/view?usp=drive_link\"><strong><span style=\"color: #3366ff;\"><span data-sheets-root=\"1\">SEU EU EM 2023: as narrativas do self algor\u00edtmico na Retrospectiva Spotify<\/span><\/span><\/strong><\/a><\/p>\n<ul>\n<li>Estudante: <span data-sheets-root=\"1\">Luana Sousa Coutinho de Melo<\/span><\/li>\n<li><span style=\"font-size: inherit;\">Palavras-chave: M\u00fasica; Plataformiza\u00e7\u00e3o; Identidade; Spotify; Retrospectiva.<\/span><\/li>\n<li>Orienta\u00e7\u00e3o: Carlos Frederico de Brito D&#8217;andr\u00e9a<\/li>\n<li>Coorienta\u00e7\u00e3o: Nat\u00e1lia Santos Dias<\/li>\n<li>Data da banca: 24\/01\/2025<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/drive.google.com\/file\/d\/1PAkmXCuLYvRhaE8mL6i8l5beeD2U0eNN\/view?usp=drive_link\"><strong><span style=\"color: #3366ff;\"><span data-sheets-root=\"1\">FRAGMENTOS DE SUCESSO: VIDAS E NARRATIVAS Memorial descritivo do curta-document\u00e1rio sobre diferentes\u00a0 perspectivas sobre o sucesso<\/span><\/span><\/strong><\/a><\/p>\n<ul>\n<li>Estudante: <span data-sheets-root=\"1\">Giovanni Carlos Vieira<\/span><\/li>\n<li>Orienta\u00e7\u00e3o: Roberta Oliveira Veiga<\/li>\n<li>Coorienta\u00e7\u00e3o: Daniel Augusto de Matos Assun\u00e7\u00e3o<\/li>\n<li>Data da banca: 27\/01\/2025<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/drive.google.com\/file\/d\/1MwPYTt6n3BqmhS6najvHIRbRaIb6k6LH\/view?usp=drive_link\"><strong><span style=\"color: #3366ff;\"><span data-sheets-root=\"1\">ENTRE REPRESENTATIVIDADE E SILENCIAMENTO: X (Twitter), Netflix e o cancelamento de s\u00e9ries com protagonismo l\u00e9sbico e bissexual<\/span><\/span><\/strong><\/a><\/p>\n<ul>\n<li>Estudante: <span data-sheets-root=\"1\">Luisa Tanuri Baptista<\/span><\/li>\n<li>Orienta\u00e7\u00e3o: Dayane do Carmo Barretos<\/li>\n<li>Palavras-chave: representatividade; representa\u00e7\u00e3o; mulheres l\u00e9sbicas e bissexuais; X (Twitter); s\u00e9ries; cancelamento.<\/li>\n<li>Data da banca: 28\/01\/2025<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/drive.google.com\/file\/d\/1CVjAAJRPqjr3Cjlbd225BFkG6QezQupe\/view?usp=drive_link\"><strong><span style=\"color: #3366ff;\"><span data-sheets-root=\"1\">SEXISMO EM JOGOS ONLINE: Uma an\u00e1lise a partir das perspectivas das jogadoras de Valorant <\/span><\/span><\/strong><\/a><\/p>\n<ul>\n<li>Estudante: <span data-sheets-root=\"1\">Luisa Tanuri Baptista<\/span><\/li>\n<li>Orienta\u00e7\u00e3o: Leandro Augusto Borges Lima<\/li>\n<li>Palavras-chave: Sexismo; Jogos Online; Valorant.<\/li>\n<li>Data da banca: 29\/01\/2025<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/drive.google.com\/file\/d\/1kydGcd6tM-nNwTL41e7_W_9IQUF9bhr2\/view?usp=drive_link\"><strong><span style=\"color: #3366ff;\"><span data-sheets-root=\"1\">Inova\u00e7\u00f5es narrativas na era do streaming: a constru\u00e7\u00e3o de conflitos e personagens em Maldivas (2022)<\/span><\/span><\/strong><\/a><\/p>\n<ul>\n<li>Estudante: <span data-sheets-root=\"1\">Victoria Bacellar Nigro Antunes<\/span><\/li>\n<li>Orienta\u00e7\u00e3o: Simone Maria Rocha<\/li>\n<li>Coorienta\u00e7\u00e3o: Marcos Vinicius Meigre e Silva<\/li>\n<li>Palavras-chave: Maldivas; Netflix; Fic\u00e7\u00e3o seriada; Modelos de narrativa.<\/li>\n<li>Data da banca: 28\/01\/2025<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/drive.google.com\/file\/d\/14yCO2ztIFt1pV0M90M_5lc-OPc2g30ey\/view?usp=drive_link\"><strong><span style=\"color: #3366ff;\"><span data-sheets-root=\"1\">SHITPOSTING E BRANDING: COMO A PRODU\u00c7\u00c3O DE CONTE\u00daDO DA BIS CONQUISTA O P\u00daBLICO NO INSTAGRAM<\/span><\/span><\/strong><\/a><\/p>\n<ul>\n<li>Estudante: <span data-sheets-root=\"1\">Marina Vidigal Gelais<\/span><\/li>\n<li>Orienta\u00e7\u00e3o: Andr\u00e9 Melo Mendes<\/li>\n<li>Palavras-chave: Shitposting; Humor; Memes; Humaniza\u00e7\u00e3o de marca; Publicidade.<\/li>\n<li>Data da banca: 30\/01\/2025<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"https:\/\/drive.google.com\/file\/d\/1ECttmemi4zkNhfrgIy09aZSiq-BgiVq4\/view?usp=sharing\"><strong><span style=\"color: #3366ff;\">ROTEIRO DE LONGA METRAGEM \u201cNA PONTA DOS P\u00c9S\u201d<\/span><\/strong><\/a><\/span><\/p>\n<p><a href=\"https:\/\/drive.google.com\/file\/d\/1onbqcaicZu8EnlKpkbE960eODvZROXTg\/view?usp=sharing\"><strong><span style=\"color: #3366ff;\">ROTEIRO FINAL: NA PONTA DOS P\u00c9S<\/span><\/strong><\/a><\/p>\n<ul>\n<li>Estudante: <span data-sheets-root=\"1\">Andreia Aparecida Ferreira<\/span><\/li>\n<li>Palavras-chave: Roteiro, comunica\u00e7\u00e3o, audiovisual<\/li>\n<li>Orienta\u00e7\u00e3o: Simone Maria Rocha<\/li>\n<li>Coorienta\u00e7\u00e3o: Marcos Vinicius Meigre e Silva<\/li>\n<li>Data da banca: 30\/01\/2025<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/drive.google.com\/file\/d\/1TNwn1Rn0mznghvaAYNZRY25JdLDkRRhk\/view?usp=drive_link\"><strong><span style=\"color: #3366ff;\"><span data-sheets-root=\"1\">AVISA O DONO DA LACOSTE QUE N\u00d3S QUE DEIXOU ELE RICO: UMA AN\u00c1LISE DO FUNK E SUA INFLU\u00caNCIA NO POSICIONAMENTO DE MARCA DA LACOSTE NO BRASIL<\/span><\/span><\/strong><\/a><\/p>\n<ul>\n<li>Estudante: <span data-sheets-root=\"1\">Luis Gustavo Carvalho e Silva<\/span><\/li>\n<li><span style=\"font-size: inherit;\">Palavras-chave: funk ostenta\u00e7\u00e3o, branding, cultura perif\u00e9rica, consumo, estrat\u00e9gias de marca<\/span><\/li>\n<li>Orienta\u00e7\u00e3o: Juarez Guimar\u00e3es Dias<\/li>\n<li>Data da banca: 30\/01\/2025<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/drive.google.com\/file\/d\/1QftXuyCZUX0Vb1o2HW27yspq3TObA40P\/view?usp=drive_link\"><strong><span style=\"color: #3366ff;\"><span data-sheets-root=\"1\">Anamorphus: horizonte barroco-psicod\u00e9lico<\/span><\/span><\/strong><\/a><\/p>\n<ul>\n<li>Estudante: <span data-sheets-root=\"1\">Lorenzo Fajardo de Freitas Salviato Detoni<\/span><\/li>\n<li><span style=\"font-size: inherit;\">Palavras-chave: Zine. Experimental. Psicodelismo. Barroco. Design. Anamorfose.<\/span><\/li>\n<li>Orienta\u00e7\u00e3o: Eduardo de Jesus<\/li>\n<li>Data da banca: 31\/01\/2025<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/drive.google.com\/file\/d\/1yPr72SLhhWxQ5hiPvRaosf3qeCeYKA2N\/view?usp=drive_link\"><strong><span style=\"color: #3366ff;\"><span data-sheets-root=\"1\">DONA DA CASA, habita\u00e7\u00e3o feminina em Belo Horizonte<\/span><\/span><\/strong><\/a><\/p>\n<ul>\n<li>Estudante: <span data-sheets-root=\"1\">Sabrina Fagundes dos Santos<\/span><\/li>\n<li><span style=\"font-size: inherit;\">Palavras-chave: Habita\u00e7\u00e3o em Belo Horizonte, Programas Sociais, mulheres, cidadania, s\u00e9rie documental.<\/span><\/li>\n<li>Orienta\u00e7\u00e3o: Fernanda Muricio da Silva<\/li>\n<li>Coorienta\u00e7\u00e3o: Daniel Paiva de Macedo Junior<\/li>\n<li>Data da banca: 31\/01\/2025<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><a style=\"color: #000000;\" href=\"https:\/\/drive.google.com\/file\/d\/1PPTjlr8S6_mdVNq38qzi2tgVIjicvbwp\/view?usp=drive_link\"><strong><span style=\"color: #3366ff;\"><span data-sheets-root=\"1\">Product Placement e Marketing de Patroc\u00ednio: um estudo sobre os patroc\u00ednios do Mercado Livre e Braskem ao Big Brother Brasil 23<\/span><\/span><\/strong><\/a><\/p>\n<ul>\n<li>Estudante: <span data-sheets-root=\"1\">Natalia Norberto Marques Sereno<\/span><\/li>\n<li>Orienta\u00e7\u00e3o: F\u00e1bia Pereira Lima<\/li>\n<li>Data da banca: 03\/02\/2025<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>GATOS EM QUADROS: Produzindo narrativas afetivas entre gatos e tutores atrav\u00e9s do formato de fanzines Estudantes: Clarice Chaves Sodr\u00e9\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Lara Cordeiro de Barros Palavras-chave: Narrativas afetivas; fanzines; comunica\u00e7\u00e3o visual Orienta\u00e7\u00e3o: Joana Ziller de Ara\u00fajo Josephson Coorienta\u00e7\u00e3o: Letticia Gabriella Carvalho de Oliveira Data da banca: 15\/01\/2025 \u00a0 &#8220;At [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"categories":[],"_links":{"self":[{"href":"https:\/\/www.fafich.ufmg.br\/publicidadeepropaganda\/wp-json\/wp\/v2\/pages\/2283"}],"collection":[{"href":"https:\/\/www.fafich.ufmg.br\/publicidadeepropaganda\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.fafich.ufmg.br\/publicidadeepropaganda\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.fafich.ufmg.br\/publicidadeepropaganda\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fafich.ufmg.br\/publicidadeepropaganda\/wp-json\/wp\/v2\/comments?post=2283"}],"version-history":[{"count":21,"href":"https:\/\/www.fafich.ufmg.br\/publicidadeepropaganda\/wp-json\/wp\/v2\/pages\/2283\/revisions"}],"predecessor-version":[{"id":2331,"href":"https:\/\/www.fafich.ufmg.br\/publicidadeepropaganda\/wp-json\/wp\/v2\/pages\/2283\/revisions\/2331"}],"wp:attachment":[{"href":"https:\/\/www.fafich.ufmg.br\/publicidadeepropaganda\/wp-json\/wp\/v2\/media?parent=2283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fafich.ufmg.br\/publicidadeepropaganda\/wp-json\/wp\/v2\/categories?post=2283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}